|
Studies in Dance History The Making of a Choreographer
How this happened is the story that Beth Genné tells in The Making of a Choreographer. Quoting liberally from de Valoiss writings and from interviews with her, Genné introduces the many remarkable figures who nurtured her: Lilian Baylis, William Butler Yeats, Bronislava Nijinska, Serge Diaghilev, Terence Gray, Marie Rambert, and many more. With clarity and more than a touch of passion, Genné explains what de Valois learned from them and how she applied their "lessons." The last part of the book is about the making of Bar aux Folies-Bergère. Inspired by the renowned Manet painting, the ballet teamed not only the founding mothers of British ballet but also such legendary personalities as ballerina Alicia Markova, designer William Chappell, and choreographers Frederick Ashton (as a member of the cast) and Antony Tudor (as stage manager for the production). The book ends with a facsimile and transcription of de Valoiss thirty-six-page loose-leaf notebook recording the ballets choreography and additional comments by Marie Rambert. Now in the archives of the Rambert Dance Company, London, this unique document is a rare example of de Valoiss working method as a choreographer. Beth Genné, a noted American historian of British ballet, teaches dance history and art history at the University of Michigan. She is currently completing a book on dance in the film musicals of Vincente Minnelli and the team of Gene Kelly and Stanley Donen. Title: The Making of a Choreographer
|
|||||||||||||||||||||||||
|
HOME | ABOUT SDHS | MEMBERSHIP | CONFERENCES | AWARDS | WORKING GROUPS | PUBLICATIONS | BOOKS BY SDHS MEMBERS | ONLINE RESOURCES | FOR MEMBERS ONLY | CONTACT US | SITE INDEX Last updated 5 December
2001 | ||||||||||||||||||||||||||