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Studies in Dance History Carlo Blasis in Russia (18611864)
Written by Russias foremost dance historian, Elizabeth Souritz, this short book offers a full account of the four works Blasis choreographed for the Bolshoi Faust (1861), Two Days in Venice, or The Venetian Carnival (1862), Orfa (1862), and Pygmalion (1863) as well as one that failed to materialize, Cagliostro. It also includes a discussion of Blasiss last book, a fascinating but little-known volume written in Russian and published in Moscow in 1864. Entitled Tantsy voobshche, baletnye znamenitosti i natsionalnye tantsy (Dances in General, Ballet Celebrities, and National Dances), it is probably the best single source of information about the eras Bolshoi dancers. As is her custom, Souritz pieces together her story from a host of archival sources and an encyclopedic knowledge of Bolshoi history. She has created a small treasure. "Now we have a detailed account of the works [Blasis] choreographed in Moscow, based not only on contemporary notices in the press but also on extensive archival material. . . . From Souritzs meticulous research we learn a great deal about Blasis [and] about the Russian theater of his time its manner of working, its values, and its critics." Selma Jeanne Cohen Elizabeth Souritz is the author of Soviet Choreographers in the 1920s (Duke University Press, 1990), which won the De la Torre Bueno Prize in 1991 as the outstanding work on dance published in the previous year. She is associated with Moscows Institute for Research in the Arts. Title: Carlo Blasis in Russia |
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