1999 Society of Dance History Scholars Conference
Twenty-second Annual Conference
University of New Mexico
Albuquerque, New Mexico
10–13 June 1999

CONTENTS OF PROCEEDINGS

1. Larry E. Lavender. Dance Criticism after the End of Art
2. Roger Copeland. Re-Thinking the Thinking Body: The Articulate Movement of Merce Cunningham
3. Lydie Willem. Early Belgian Modern Dance: Nationalist and Ideological Influences
4. Bridget E. Cauthery. Flamenco and Defiant Bodies: Power, Freedom, and the "Gypsy"
5. Amy Lynn Stoddart. Comparative Analysis of George Balanchine’s Agon and Jerome Robbins’s West Side Story
6. Janice Ross. Staging a Cultural Memory: Leonid Jacobson’s Vestris
7. Drue Fergison. Fresh Insights into Les Noces and the Ballets Russes: Nicolas Kremnev’s Rehearsal and Performance Records of 1922–1923
8. Jody Sperling. Loie Fuller’s Serpentine Dance: A Discussion of Its Origins in Skirt Dancing and a Creative Reconstruction
9. Madeleine M. Nichols. Collaborative Editing to Document Dance
10. Claudia Gitelman and Lisa Naugle. Reconstructing a Late Work of Hanya Holm: Stage Success and Electronic Heartache
11. Martha Schwieters. Deciphering De Lauze
12. Estrella Casero-Garcia. Women, Fascism, and Dance in the Coros y Danzas of the Feminine Division under the Franco Regime, 1937–1977
13. Tirza True Latimer. Loie Fuller: Butch-Femme-Fatale
14. Susan Leigh Foster. Narrative with a Vengeance: Doris Humphrey’s With My Red Fires
15. Valerie A. Briginshaw. Choreographing Lesbian Desire: Filling the Spaces, Bridging the Gaps
16. Jane Mulchrone. Shimmies and Veils in Middle England: Visual Anthropology and Arab-Egyptian Dancing
17. Janet Adshead-Lansdale. The Concept of Intertextuality and Its Application in Dance Research
18. Lena Hammergren. Intertextuality and Historiography: Reading a Dancer’s Career
19. Ann Nugent. Criticism, Intertextuality, and William Forsythe’s Eidos: Telos
20. Kai Lehikoinen. Fragile Masculinities: Reading Kvarnstrom
21. Joann W. Kealiinohomoku. The Yaqui Matachines and Malinches
22. Patricia Rader. Workshop / Roundtable: Dances from the "Il Papa Manuscript"
23. Janet Mansfield Soares. Martha Hill: Visionary for Dance in the Conservatory, Against All Odds
24. Ann Cooper Albright. A Particular History: Contact Improvisation at Oberlin College
25. Allana Lindgren. "La Danse et L’Espoir": Françoise Sullivan and the Quebec Automatist Movement
26. Katherine Weinstein. The Dada Dancer in Motion
27. Nancy Gaye Moore. The Hermetic Dances of Valentine De St.-Point (1875–1953)
28. Virginia Taylor. Respect, Antipathy, and Tenderness: Why Do Girls "Go to Ballet"?
29. Anne Daye. Ben Jonson: Choreographer of the Antimasque
30. Barbara Sparti. Dance Not Only as Text: Getting the Full(er) Picture of Dance in Renaissance and Baroque Italy, c.1455–1630
31. John Bryce Jordan. "Is He No Man?": The Emergence of the Effeminate Male Dancer in English Restoration Comedy
32. Ivor Guest. The Pure and the Impure: A Tale of Two Dancers
33. Vida Midgelow. Wild Water Fowl: Re-Gendering Swan Lake
34. Alexandra Carter. Staring Back, Mindfully: Reinstating the Dancer – and the Dance – in Feminist Ballet Historiography
35. Bill Evans. Teaching What I Want to Learn
36. Ellyn Kestnbaum. What Is the "Dance" in Ice Dance?
37. Nina S. Spiegel. A Window into Cultural Contestation: The National Dance Competition in Palestine, 1937
38. Leslie Norton. Haunting Hybrids: Three Ballets by Dalí and Massine
39. Anne-Marie Gaston. The Reconstruction of Bharata Natyam
40. Susan Tenneriello. O-Mika: Ruth St. Denis’s Image of the East
41. Program

This collection of papers was compiled from files provided by authors who wished to contribute their papers as a record of the 1999 conference. The compiler endeavored to standardize format for columns, titles, subtitles, figures or illustrations, references, and endnotes. The content is unchanged from that provided by the authors.

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