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1997 Society of Dance History Scholars
Conference
Twentieth Annual Conference
Barnard College
New York, New York
19–22 June 1997
CONTENTS OF PROCEEDINGS
| 1. | Burt Ramsay. Laban in Yorkshire: Interrogating the Grand Narratives of Dance Scholarship |
| 2. | Garry Lester. Margaret Barr: Epic Individual and Fringe Dweller |
| 3. | Barbara Sparti. What Can Pictures Tell Us (And Not Tell Us) About Dance? Reading Italian Renaissance Dance Iconography |
| 4. | Michelle Heffner. Blood Wedding: Tradition and Innovation in Contemporary Flamenco |
| 5. | Libby Smigel. Masquerading Intentions: The Bal Masqué in Victorian Perception and Practice |
| 6. | Susan C. Cook. Tango Lizards and Girlish Men: Performing Masculinity on the Social Dance Floor |
| 7. | Anne Daye. The Sun-King Eclips'd |
| 8. | Juliette Willis. Dancing Cultural Identity: Grotesque Bodies at London's Bartholomew Fair |
| 9. | Anita Gonzalez. Re-Configuring African Slave Dancing in Mexico: Popular Imaginations of Jarocho |
| 10. | Kim Chandler Vaccaro. The Contribution of Jazz Dance to a New Conception of the Social Dancing Body as Perceived by Mura Dehn |
| 11. | Deda Cristina Colonna. Comparative Study of the Different Versions of the Passacaille of Armide |
| 12. | Paige Whitley-Baugues. Same Music, Different Dance: Analysis and Comparison of Dances by Louis Pecour and Anthony L'Abbé Choreographed to the Same Music and Phrasing as a Reconstruction Tool |
| 13. | Patrizia Veroli. Walter Toscanini's Vision of Dance |
| 14. | Marjorie B. Perces and Ana Marie Forsythe. Lester Horton |
| 15. | Cynthia Jean Cohen Bull Roundtable. Susan Leigh Foster, Mark Franko, Randy Martin, Ninotchka Bennahum, Jennifer Fisher, June Vail |
| 16. | Lisa C. Arkin. The Mazurka and the Krakovia: Two Polish National Dances in Michel Saint-Léon's Dance Notebooks, 1829–1830 |
| 17. | Sandra Noll Hammond. Windows into Romantic Ballet: Content and Structure of Four Early Nineteenth-Century Pas de Deux |
| 18. | Brady Earnhart. Giselle's Onstage Audience |
| 19. | Giannandrea Poesio. Galop, Gender, and Politics in the Italian Ballo Grande |
| 20. | Claudia Jeschke. Marianne Vogelsang: Ausdruckstanz Choreographer in the German Democratic Republic |
| 21. | Karen A. Mozingo. Fractured Images: Montage and Gender in Pina Bausch's Tanztheater |
| 22. | Stephanie Schroedter. Demonstration of a Database Concerning Dance Literature from the Late Seventeenth to the Early Nineteenth Century Held at the Derra De Moroda Dance Archives, Salzburg, Austria |
| 23. | Elizabeth A. Cain. Electronic Access to Dance Resources: The "Il Papa" Manuscript |
| 24. | Madeleine M. Nichols. Art and Artifact: The Digital Option, A Case Study of the "II Papa" Manuscript |
| 25. | Janet Mansfield Soares. Barnard's 1932 and 1933 Dance Symposiums: Bringing Dance to the University |
| 26. | Katherine Tucker McGinnis. At Home in the "Casa del Trombone ": A Social-Historical View of Sixteenth-Century Dancing Masters |
| 27. | Sibylle Dahms. New Light on Eighteenth-Century Social Dance in Germany |
| 28. | Ken Pierce. Dance Vocabulary in the Early Eighteenth-Century as Seen through Feuillet's Step Tables |
| 29. | Karen Woods, Nena Couch, and Ligia Pinherio. The Rape of the Lock, A Ballet in Eighteenth-Century Style |
| 30. | Barbara Stratyner. Wallflower at a Cotillion |
| 31. | Marcia B. Siegel and Beth Lessard. Olympian Romance |
| 32. | Angela Kane. Parallel Narratives: The Private and Public Domains of Paul Taylor's Dances |
| 33. | Joan L. Erdman. Cross-Cultural Discourses: Writing of Uday Shankar |
| 34. | Bageshree Vaze. When North Meets South: The Use of Hindustani Music in the Context of Bharatha Natyam Dance |
| 35. | Marilynn Danitz. Hadassah's Use of Traditional Movement Gesture Exemplified by "Shuvi Hafshi" |
| 36. | Julia Sutton. Cadential Formulae in Music and Dance in Sixteenth-Century Italy |
| 37. | Carol Pharo. Musical Form and Dance Form: The Role of Cadential Formulae in Early Eighteenth-Century Choreographies |
| 38. | Catherine Turocy. Reflections on Gilbert Austin's Chironomia and Dance Conventions of the Eighteenth Century |
| 39. | Program |
This collection of papers was compiled from camera-ready copies provided by authors who wished to contribute their papers as a record of the 1997 conference. No editing was done.
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