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1996 Society of Dance History Scholars
Conference
Nineteenth Annual Conference
University of Minnesota
Minneapolis, Minnesota
13–16 June 1996
CONTENTS OF PROCEEDINGS
| 1. | Rachel S. Richardson. Conflict and Harmony: Some Issues in the Construction of Meaning through Dance-Music Relationships in Antony Tudor's The Leaves Are Fading |
| 2. | Sophia Preston. Revealing Relationships: Text and Intertext in the Analysis of Dance/Music Relationships in the Work of Siobhan Davies |
| 3. | Claudia Gitelman. Appropriating America: Hanya Holm and the American Dream |
| 4. | Barbejoy A. Ponzio. Mythic Images of the American West and the Renewed Popularity of Country Western Dance |
| 5. | Norma Sue Fisher-Stitt. W.E.B. Du Bois and "The Star of Ethiopia" Pageant: Education through Participation |
| 6. | Anadel Lynton Snyder. Dancing in the Streets: Aftershocks of an Earthquake |
| 7. | Iro Valaskakis Tembeck. Choreography and the Visual Arts: Recent Hybrids and Collaborations |
| 8. | Summary of the Panel on Gennaro Magri. Rebecca Harris-Warrick, organizer and chair: Salvatore Bongiovanni, Ingrid Brainard, Bruce Alan Brown, Letizia Dradi, Sandra Noll Hammond, Kathleen Kuzmick Hansell, and Carol G. Marsh |
| 9. | Janet Adshead-Lansdale. Narratives and Meta-narratives: Reshaping Dance Research |
| 10. | Jennifer Fisher. The Performing Spectator: Steps toward a Viewer-Response Theory for Dance |
| 11. | Susan Kozel. Electromythologies |
| 12. | Amanda Card. From Aboriginal Dance to Aboriginals Dancing: The Appropriation of the "Primitive" in Australian Dance |
| 13. | Karen W. Hubbard. Vintage Jazz Dance Jam |
| 14. | Julie A. Kerr-Berry. Bursting the Eurocentric Bubble: African American Contributions to Twentieth-Century Dance History |
| 15. | Veta Goler. Moves on Top of Blues: Dianne McIntyre's Blues Aesthetic |
| 16. | Anna Blewchamp, Norma Sue Fisher-Stitt, Selma Odom, and Mary Jane Warner. Technology in Scholarly Presentations: Navigation and Interaction |
| 17. | Shizuka Yasuda. Invisible Turns Visible: Forsythe's CD-ROM Improvisation Technologies –William Forsythe's Self Meant to Govern |
| 18. | Judith Brin Ingber. Jewish Dance in Poland between World War I and World War II |
| 19. | Anthony Shay. Limitations of Iranian Monographic Sources for the Development of Historical Evidence of Iranian Dancing |
| 20. | Denise A. Celestin. Being Called Out: Ritual and Experience in the Mardi Gras Balls of New and Old New Orleans |
| 21. | Ann Lizbeth Langston. The Door to the Palace: Gendered Directions for the Late Italian Renaissance Riverenza |
| 22. | Program |
This collection of papers was compiled from camera-ready copies provided by authors who wished to contribute their papers as a record of the 1996 conference. No editing was done.
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