1995 Society of Dance History Scholars Conference
Joint Conference: Society of Dance History Scholars (Eighteenth Annual Conference) and Association for Dance in Universities and Colleges in Canada
Ryerson Polytechnic University
Toronto, Ontario, Canada
10–14 May 1995

CONTENTS OF PROCEEDINGS

1.	Nancy R. Murray. Who Is the Person in the Teacher of Dance?
2.	Susan McFadden. Dance in the Liberal Arts College: Fostering Standards in Non-Professional Settings
3.	Jennifer Nevile. From the Garden to the Ball-Room: Principles of Design in Renaissance Italy
4.	Jody Bruner. Canadian Nationalism and Dance: Three National Film Board of Canada Dance Films
5.	Iro Tembeck. Crossing the Rubicon Waters: Myth and Identity in Montreal's New Dance
6.	Donna Krasnow and Steven Chatfield. Dance Science: Advancing Dance Training
7.	William Douglas. Dance, Space, Architecture: The Making of The Golden Zone
8.	Tina M. Curran. Building Bridges with the Language of Dance
9.	Maribeth Clark. The Contredanse, That Musical Plague
10.	Mekhala Abu-Lughod. Natural and Supernatural Boundaries: Transcendence through Dance in North India
11.	Garry Lester. When Cultures Collide: Interculturalism in the Work of Kai Tai Chan
12.	Fiona Garlick. The Ceremonial Danse à Deux: Crossing Class Boundaries in Sixteenth- and Seventeenth-Century France
13.	Carol G. Marsh. French Theatrical Dance in the Late Eighteenth Century: Gypsies, Cloggers, and Drunken Soldiers
14.	Karen Woods. A Chaste Seduction: Women and Social Dance in Eighteenth-Century England
15.	Janet Adshead-Lansdale. Patrolling the Borders: The Dance Text as Exclusion Zone
16.	Joan L. Erdman. Blurred Boundaries: Androgyny and Gender in the Dance of Uday Shankar
17.	Stacey Prickett. Humor and Gender-Bending in the Joe Goode Performance Group
18.	Jane Peck. Crossing Boundaries, or Tracing French Roots of Metis Dance in the Upper Midwest
19.	Bettle Liota. Liminality in Contra Dance
20.	Ginnie Wollaston. Blurred Boundaries: Blood/Spirit: Whose Multiculturalam? The South Asian Context
Francis Sparshott's Philosophy of Dance
21.	Patrick Maynard. Sparshott's Dance Perspective
22.	Selma Jeanne Cohen. Comment on "How Can I Know What Dancing Is?"
23.	Gregory Scott. Empires, Egalitarianism, and the International Dance Academy
24.	Francis Sparshott. Response to Commentators
25.	Sylvie Fortin and Susi Lovell. Contemporary Dance Performance: Students as Audience
26.	Holly Lau. The Child as Work of Art: Blending Art and Academics in the Curriculum through the Arts/Bruce Connection
27.	Sandra Noll Hammond. A Workshop on the Mecanisme and Esthetique of Nineteenth-Century Ballet Technique from the Manuscripts of Adice
28.	Eileen Or. Body and Mind: The Yoga Roots of Martha Graham's Contraction and Release
29.	Barbara Hausler. Dancing across the Border: Nona Schurman's Search for Modern Dance
30.	Judith Chazin-Bennahum. Tudor in Canada: The Wizard in a New Land
31.	Onno F. Stokvis. Establishing Contacts between East and West Europe through Modern Dance
Russian Soul and Spanish Blood: Nationalism as a Construct in the Historiography of Dance in Spain
32.	Delfin Colomd. Gone with the Wall
33.	Estrella Casero. Gender, Motherland, and Dance
34.	Marta Carrasco. Dance in the Spainish Press: The Ghost of Edgar NeviIle
35.	Nelida Mones. Dalcrozism in Catalonia as a Bridge between the Past and Present of Contemporary Dance History
36.	Enrique Ablanedo. The Tale of the Tin Soldier
37.	Xoán M. Carreira. "...And Spain"
38.	Pegge Vissicaro. Cross-Cultural Dance Education: Diminishing Boundaries
39.	Connie Kreemer. Whose Gaze Is It Anyway?
40.	Program

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