1992 Society of Dance History Scholars Conference
Fifteenth Annual Conference
University of California, Riverside
Riverside, California
14–15 February 1992

CONTENTS OF PROCEEDINGS (compiled by Christena L. Schlundt)

1. Naima Prevots. $410 — Was That a Necessary Expense?
2. Robyn Bissell. Daniel Nagrin’s Path Abroad, 1967
3. David Vaughan. The Real Shock: The Merce Cunningham Dance Company’s World Tour, 1964
4. Edy Greenblatt. Recreational Israeli Dance and America: Nearly Inseparable
5. Jane C. Desmond. Hula Hips and Smiling Lips: Americans Abroad at Home
6. Nancy Reynolds. The Red Curtain: Balanchine’s Critical Reception in the Soviet Union
7. Connie Kreemer. What Is American Dance?
8. Naomi Jackson. The Role of America in the Jacobean Masque: Performed Ethnography and the Exploration of Self-Transformation in the English Renaissance
9. Constance Valis Hill. Buddy Bradley: The "Invisible Man" of Broadway Brings [sic; should be Takes] Jazz Tap to London
10. Ann Veronica Turnbull. Carolyn Carlson’s Years at Il Teatro La Fenice, Venice, Italy, 1980–1984; A Unique Experiment on the Italian Dance Scene
11. Andrea Mantell-Seidel. Eleanor King in Japan: Dance Bridging East-West
12. Nadezda Mosusova. American Dance Abroad: A View from Yugoslavia
13. Iris Garland. The Canadian Modern Dance Identity in Dialectic with American Influence
14. Laurie Kaden. Nijinska’s "Théâtre Choréographique Nijinska": The 1925 Tour of English Resort Towns
15. Janice Ross. Innocence Abroad: The 1965 Stockholm Premiere of Anna Halprin’s Parades and Changes
16. Inger Damsholt. The Impact of the "Cunningham Concept": The Function of Music within Contemporary Dance Performance in Denmark
17. Lena Hammergren. The Import(ance) of Fragmentation: A Moment in Swedish Dance History Seen as Both a Tragedy and a Romance
18. June Vail. Moving Bodies, Moving Souls: The Trisha Brown Company in Stockholm, 1989
19. Claudia Jeschke. American Theatricality in Contemporary German Theater Dancing: John Neumeier and William Forsythe
20. Alma Concepción. U.S. Ballet and Modern Dance in the Caribbean: Cuba and Puerto Rico, 1940–1980
21. Shana Habel-Moreno. The North American Influence on the Contemporary Dance in Chile
22. Claudia Gitelman. People of the Pear Garden Greet Soho: Chinese Dancers Meet U.S. Modern Dance through Institutional Linkages Program of American Dance Festival
23. Judith Brin Ingber. Shalom: "Hello" or "Goodbye" to Israeli Modern Dance after the American Invasion?
24. Maureen Needham Costonis. "The Wild Doe": Augusta Maywood in Paris, 1839–1840
25. Stephanie Jordan. American Dance: Invasion or Inspiration?
26. Nancy Lee Chalfa Ruyter. American Delsarteans Abroad
27. Dawn Lille Horwitz. The New York Negro Ballet in Great Britain
28. June Layson. Mixed Blessings: Isadora Duncan’s Legacy to British Early Modern Dance
29. Amy Koritz. Salome Unveiled: Imperialism and the Dancing Body in England
30. Program

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