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1990 Society of Dance History Scholars Conference
Thirteenth Annual Conference
Fifth Hong Kong International Dance Conference
Hong Kong Academy for Performing Arts
Wanchai, Hong Kong
15–28 June 1990

CONTENTS OF PROCEEDINGS

  1. Doug Adams. Using Form-Critical Categories to Discern a Wider Range of Liturgical Dances in Biblical and Historical Sources Relating Dance and Religion
  2. Janet Adshead. Dance Analysis or Movement Analysis? Some Distinctions
  3. Elizabeth Aldrich. A New Look at an Old Dance: The Waltz
  4. Diane Apostolos-Cappadona. Martha Graham and the Quest for the Feminine in Eve, Lilith, and Judith
  5. Bonnie Bird. The Young Choreographer: Is Struggle the Only Answer?
  6. Chung-Yoon Chang. The Symbolism of the Dance in Ancient Korean Culture
  7. Steven Chatfield and William C. Byrnes. Correlational Analysis of Aesthetic Competency, Skill Acquisition, and Physiologic Capabilities of Modern Dance
  8. Judith Chazin-Bennahum. The Way of Antony Tudor: In Tudor’s Words
  9. Soo-pong Chua. The Dynamics of the Singapore Malay Dance: A Preliminary Study
  10. Jo Anne Combs. Christian Sacred Dance in Southern California: Cultural Meaning, Social Healing; An Ethnography of Dance Performance in Religious Settings
  11. Diana Cruickshank. The Dramatic Character of Fifteenth-Century Italian Dance, with Particular Reference to the Dances of Domenico da Piacenza
  12. Brenda Dixon-Stowell. Up from Under: The Afrocentric Tradition in American Concert Dance
  13. Sondra Horton Fraleigh. Good Intentions and Dancing Moments: Agency, Freedom, and Self-Knowledge in Dance
  14. Erna Gronlund and Ann-Sophi Lestrup. Dance Play for Physically Disabled Children as a Complement or as an Alternative to Physiotherapy
  15. Dorothy J. Harris and Ann K. Brown. Research into Language Issues Affecting Communication about Dance in Education and Literature
  16. Nanci A. Hoetzlein. Sacred Dances of Tibet’s Gelugpa Sect
  17. Eriko Hosokawa and Chiyoe Hatsumoto. The Theories of Modern Dance and Its Related Fields
  18. Dianne S. Howe. Mary Wigman: One Artist’s Definition of Dance
  19. Naomi M. Jackson. Deconstructing Dance: Édouard Lock’s Postmodern Steps
  20. Stephanie Jordan. British Modern Dance: Early Radicalism
  21. Maggie Kast. Liturgy and Performance: Some Reflections on Their Relationship
  22. Martha Ann Kirk. Biblical Women and Feminist Exegesis: Women Dancing Men’s Ideas or Women Dancing Women
  23. June Layson. Dance History Methodology: Dynamic Models for Teaching, Learning, and Research
  24. Billie Lepczyk. A Contrastive Study of Movement Study in Dance through the Laban Perspective
  25. Christine Loken-Kim. Release from Bitterness: Symbolic and Nonsymbolic Representations of Sentiment by Korean Women
  26. Avanthi Meduri. History as an Image: Mimesis and Parody in Bharatha Natyam
  27. Kathryn E. Mihelick. Sacred Dance: Role and Revival; East-West Perspective
  28. Anna R. Nassif. A Set of Small Mulitmedia Pieces Drawing in Part on Movement, Voice, Color, and Light in Peking Opera
  29. Lynnette Young Overby. The Relationship of Dance Training to the Body Image: A Review of the Literature
  30. Michelle Potter. The Dancer Speaks: Oral History Archives and the Dance Historian
  31. Jennifer Shennan. Aspects of Gender in Some Dances of the Pacific
  32. Allegra Fuller Snyder. A World Dance Organization and Its Importance to Furthering Research: A Summary
  33. Janet A. Soares. Making Connections: The Composing Process
  34. Ruth Solomon. Foot Morphology in Dancers: A Progress Report
  35. Iro Tembeck. Politics and Dance: A Case Study of the Maginot Line Separating Anglophone and Francophone Dance Artists in Montreal
  36. Linda J. Tomko. The Settlement House and the Playhouse: Cultivating Expressive Dance in Early Twentieth-Century New York City.
  37. Hilary J. Trotter and Julie Dyson. Building a National Dance Network: The Australian Experience
  38. Basilio Estéban S. Villaruz. Sailing in Two Streams: The Language and Body-Politics of Philippine Dance
  39. Miki Wakamatsu and Miyabi Ichikawa. Modern Situation and the Traits of Japanese Dancers
  40. John M. Wilson. The Origin of Rhythm in the Experience of Beat "One"

  

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