| 1. |
Jack Anderson. The Ballets Russes: Past and Future |
| 2. |
David Vaughan. The Ballets Russes and Painters of the Avant-Garde |
| 3. |
Debra Sowell. Masked Performance in the Repertory of Diaghilev's
Ballets Russes |
| 4. |
Rebecca Harris-Warrick and Carol G. Marsh. A New Source
for Late Seventeenth-Century Ballet: The Philidor/Favier Manuscript |
| 5. |
Paige Whitley-Bauguess. The Search for Mlle Guyot |
| 6. |
Ken Pierce. Saut What? (Sauts in Early Eighteenth-Century
Dance) |
| 7. |
Janet Rowson Davis. René Blum: 18781942 |
| 8. |
Nedezda Mosusova. The Heritage of the Ballet Russe in Yugoslavia
between the Two World Wars |
| 9. |
Kay Bardsley. Isadora Duncan and the Russian Ballet |
| 10. |
Judith Chazin-Bennahum. Shedding Light on Dark Elegies |
| 11. |
Wanda Ochoa. The Art of Choreography and the Principle
of Counterpoint |
| 12. |
Judith Brin Ingber. Disarray and Dance Research Libraries |
| 13. |
Amy Alpers. Denham, Sergei, 18961970: Records of
the Ballet Russe de Monte Carlo ca. 19361978 |
| 14. |
Sondra Lomax. Ballet Russe Materials in the Hoblitzelle
Theatre Arts Library |
| 15. |
Barbara Palfy. From Manuscript to Bookstore: A Forum on
Dance-Book Publishing |
| 16. |
Ruth Nyman. The Politics of Entrances in The Sleeping
Beauty |
| 17. |
Lynn Garafola. Looking Backward: Retrospective Classicism
in the Diaghilev Repertory of the Twenties |
| 18. |
Dawn Lille Horwitz. Michel Fokine Choreography of
the Thirties |
| 19. |
George Dorris. Massine in 1938: Style and Meaning |
| 20. |
Igor Youskevitch. George Balanchine as I Knew Him |
| 21. |
Barbara Sparti. Giambattista Dufort and La Danse Noble
Italian Style |
| 22. |
Jennifer Rieger. The Minuet: Neoclassicism in Motion |
| 23. |
Naima Prevots. University Courses in Pageantry and American
Dance, 19111925 |
| 24. |
Dina Dahbany-Miraglia. American Yemenite Jewish Dance:
The Oldtimers and Their Children |
| 25. |
Tamara Toumanova. Best Wishes |
| 26. |
Program |