1982 Society of Dance History Scholars Conference
Fifth Annual Conference
Harvard University
Cambridge, Massachusetts
13–15 February 1982

CONTENTS OF PROCEEDINGS (compiled by Christena L. Schlundt)

1. Curtis Carter. Two Views of Dance: Aesthetic Theory and Performance
2. Judith Chazin Bennahum. Three Faces of Psyche
3. Rebecca Harris-Warrick. The Tempo of French Baroque Dances: Evidence from Eighteenth-Century Metronome Devices
4. Christena L. Schlundt. The Computer as an Ally for the Novice
5. Kate Van Winkle Keller. Playford, Feuillet, and Apple II: New Techniques of Indexing Music
6. Heather Doughty. The Choreographer in the Courtroom: Loie Fuller and Léonide Massine
7. Barbara Barker. Lydia Thompson, or The Charge of the Leg Brigade
8. Karen Nelson. The Years 1875–1929: Dance Arrives in New York
9. Debra Hickenlooper Sowell. Jean Bérain and Costume Design in Le Triompe de l’Amour
10. Judith Brin Ingber. Jewish Wedding Dances of Europe during the Middle Ages and the Renaissance
11. Nancy Lee Chalfa Ruyter and Hans C. Ruyter. Nineteenth-Century Sources for the Study of Yugoslav Dance
12. Elsie Ivancich Dunin. Dance Change in Context of the Gypsy Saint George’s Day, Skopje, Yugoslavia, 1967–1977
13. Naima Prevots. Norma Gould: Forgotten Pioneer
14. Beth Genné. P. J. S. Richardson and the Birth of British Ballet
15. Svea Becker and Joenine Roberts. A Reaffirmation of the Humphrey-Weidman Quality
16. Christena L. Schlundt. The Still Point of Perfection
17. Katie M. Adelman. The English School of Dance Criticism, c.1930–1950
18. Olive Holmes. The Dance Criticism of H. T. Parker
19. Libby Smigel. The Case against Cheironomia in the Fifth-Century-B.C. Greek Theater
20. Brenda Dixon-Stowell. Dancing in the Dark: The Life and Times of Margot Webb in Afra-American Vaudeville of the Swing Era
21. Camille Hardy. Le Ballet Comique de la Reine: A Primer on Subtext and Symbol
22. Sandra Noll Hammond. La Sténochorégraphie by Saint-Léon: A Link in Ballet’s Technical History
23. Program

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