2000 Society of Dance History Scholars Conference
Twenty-third Annual Conference, Held Jointly with the Congress on Research in Dance, the Dance Critics Association, the National Dance Association, and related organizations
Washington Marriott Hotel
Washington, D.C.
19–23 July 2000

CONTENTS OF PROCEEDINGS (compiled by Juliette Crone-Willis and Janice LaPointe-Crump)

1. Christy Adair. Reviewing the Reviews: Issues of Criticism in Relation to Phoenix Dance
2. Ann Cooper Albright. Channeling the “Other”: Embodiment and History across Cultures
3. Lisa C. Arkin. “Papa” Chalif: Leading American Dance Out of Its Infancy
4. Donald K. Atwood. On Being an Older Dancer
5. Ann Axtmann. Race, Persecution, and Persistence: Powwow Dancing
6. Thea Nerissa Barnes. Phoenix Dance: Clarifying Recognition and Aesthetic Viability
7. Ana Paula Batalha. Teaching Paradigms for Dance as an Art Form
8. Susan W. Bendix. At-Risk Teens Involved in Dance Improvisation
9. Kirsten A. Bodensteiner. Criticism Refined: An Analysis of Selected Dance Criticism of Alan M. Kriegsman
10. Jane M. Bonbright. National Support for Arts Education: Linking Dance to Arts Education Reform
11. Amy Bowring. Breathing Life into History: Teaching Dance History through Re-enactment at Canadian Children's Dance Theatre
12. Elena J. Brown. Helen Tamiris: Creative Collectivism before the Federal Theater Project
13. Deena Burton. Dancing the Research: The Dance Ethnography of Claire Holt
14. Linda Almar Caldwell. Imaging Contemporary Dance in Poland
15. Darcey Callison. Personal Bodies: Judith Koltai and the Evolution of Authentic Movement Practice
16. Susan C. Cook. Talking Machines and Moving Bodies: Marketing Dance Music before World War I
17. Carolyn Cooper. Lady Saw Cuts Loose: Female Fertility Rituals in Jamaican Dance Hall Culture
18. Elizabeth Cooper. The Capitalist Contagion and the Dancing Vector: Watch Your Step, You Might Catch the Bourgeois Bug
19. Melinda Copel. José Limón, Modern Dance, and the State Department's Agenda: The Limón Company Performances in Poland and Yugoslavia, 1957
20. Roger Copeland. Who Lost the Arts, or Why America Has No National Arts Policy as We Enter the Twenty-first Century
21. Katherine Cornell. Millennium Money: Funding Dance at the National Endowment for the Arts and the Canada Council for the Arts
22. Paulette Côté-Laurence. Interactive Multimedia in Dance Education
23. Robert P. Crease. Divine Frivolity: Movement and Vernacular Dance
24. Lucia da Costa Lima. Performing Latinidad: Dances and Technique of José Limón
25. Anne Daye. Rhythms of the Dancing Space: The Banqueting House, Whitehall
26. Joselli Audain Deans. The Marginalization of African-American Ballet Dancers as Reflected in Dance-Critical Literature, 1980–1990
27. Thomas F. DeFrantz. Black Dance and Black Culture: Failures in Reading and Ruptures in Inclusion
28. Sherril Dodds. Video Dance: Fluidity and Disruption
29. Rachel Chamberlain Duerden. Transfigurations: Changing Sensibilities in Schoenberg's Verklärte Nacht
30. Martha Hart Eddy. Access to Somatic Theory and Applications: Sociopolitical Concerns
31. Mary E. Edsall. Jacob's Pillow Archives: A Web Presentation
32. Karen Eliot. A Dialogue about the Body: A Dance with History
33. Joan L. Erdman. Creating Choreographers: The Uday Shankar Method
34. Amy Cristine Farhood. The Mormon Church and the Gold Bar: A Look at Conservative Religion and Ballroom Dance at Brigham Young University
35. M. Candace Feck. Writing Down the Senses: Honing Sensory Perception through Writing about Dance
36. Norma Sue Fisher-Stitt. What Role Does Computer Technology Play in the Dance History–Dance Education Partnership?
37. Anne Flynn. Dance Advocacy: A Case Study of a Dance Education Advocacy Project in Calgary, Alberta
38. Sharon Friedman and Elizabeth Triegaardt. Dancing on the Ashes of Apartheid
39. Michael G. Garber. Robert Alton, the Doris Humphrey of Musical Comedy
40. Iris Garland. The Eternal Return: Oriental Dance (1900–1914) versus Multicultural Dance (1990–2000)
41. Pamela Geber. Principles of Construction and Stress: The Shoulder in Relation to Today's Dancer
42. Claudia Gitelman. From Bauhaus to Playhouse: Tracing the Aesthetic of Alwin Nikolais
43. Moira Goff. Coquetry and Neglect: Hester Santlow, John Weaver, and the Dramatic Entertainment of Dancing
44. Jill Green. Social Somatic Theory, Practice, and Research: An Inclusive Approach in Higher Education Dance
45. Hellene Gronda. Practicing the Body: Contact Improvisation and Body Awareness
46. Gayanne Grossman. The Biomechanics of Poorly Controlled Turnout
47. Thomas K. Hagood. Quiet Legacy: Valuing the History of Dance Education to Educate Dance History
48. Judith Lynne Hanna. Ballet to Exotic Dance, under the Censorship Watch
49. Martin Hargreaves. Haunted by Failure, Doomed by Success: Melancholic Masculinity in AMP's Swan Lake
50. Shannon Hobbs. Training, Specificity, and the Ballet Barre
51. Tina Hong. Developing Dance Literacy in the Postmodern: An Approach to Curriculum
52. Karen W. Hubbard. Lincoln Kirstein, E. E. Cummings, George Balanchine, and Uncle Tom: On the Page but Never Staged
53. Victoria Varel Hutchinson. Cultural Tension and Collision: The Eastern Cherokee Booger Dance
54. Judith Brin Ingber. Vilified or Glorified: Views of the Jewish Body in 1947
55. John Bryce Jordan. The Perfect Use of All His Limbs: The Male Dancer in The Spectator, Number 67
56. Marliese Kimmerle. The Learning Process in Dance: The Child Learner
57. Donna Krasnow. Conditioning and Neuromuscular Re-patterning for Improved Turnout in Dancers
58. José A. Lammoglia. La Tumba Francesa: An Italian Nun, a Haitian Dance, Guantanamo City, and the New Millennium
59. Adair Landborn. Contextualizing Martha Graham's El Penitente
60. Ann Lizbeth Langston. Dancing and Dueling as Narrative Elements in L'Amor Costante
61. Janice LaPointe-Crump. Conversations in Celluloid: An Almanac of Dance Theory and the Dance Film
62. Marc Lawton. Karin Waehner: How American Modern Dance and German Absolute Dance Met in France
63. Elizabeth M. Lazaroff. Performance and Motivation in Dance and Education
64. Andrea Mantell-Seidel. Dancing across Disciplines: A Twenty-first–Century Paradigm for Dance in the Academy
65. Juliet E. McMains. Brownface: A New Performance of Minstrelsy in Competitive Latin American Dancing?
66. Terry Monaghan and Mo Dodson. Has Swing Dance Been “Revived”?
67. Gay Morris. Bourdieu's Theory of the Field as an Aid in Dance Research
68. Alan I. Murdock. Criticism's Deficit: The Misapplication of Modernism and Postmodernism in American Dance
69. Paula Murphy and Mary Strow. Marketing Dance to the World Community: It's Free and in Your Own Backyard
70. Halifu Osumare. Performance and Performativity in Global Hip-Hop: Hawaii as a Case Study
71. Giannandrea Poesio. Reviving the Gesture
72. Elsa Posey. Children's Dance Performance in Educational Contexts
73. Sophia Preston. Echoes and Pre-echoes: The Displacement of Time in Mark Morris's Dido and Aeneas
74. Stacy Prickett. Identity and Difference in San Francisco's Multicultural Dance Practices: Fusion of Forms
75. Mary Riggs and Robert Riggs. Dance-Music Relationships in John Neumeier's Third Symphony of Gustav Mahler
76. Valerie Rimmer. Political Economy, Digital Technology, and Dance: A Discussion of Merce Cunningham's Biped
77. Bonnie E. Robson. Psychological Supports and Stresses of the Injured Adolescent Dancer
78. Robert A. Russ. Fighting the Good Fight, Running the Good Race, Dancing the Good Dance: Tightrope as the Dance According to Saint Paul
79. Thomas Schallmann. Some Aspects of the Development of the German Modern Dance since Rudolf von Laban
80. Ann Livingston Schenk. Undoing Sexism in Dance Class: Teaching the Dance of Personal Power
81. Peggy Schwartz. My Pearl, Our Pearl: Pearl Primus in Life and Work
82. Dianne E. Sears. Jean Cocteau, the Would-Be Choreographer
83. Elizabeth Snell. Keep Teen Dancers Dancing: Health-Related Issues for Adolescent Dancers
84. Nina S. Spiegel. The Renaissance of the Body: The Intersection of Sports and Dance in Mandatory Palestine
85. Carrie Stern. The Implications of Ballroom Dancing for Studies of “Whiteness”
86. Jayne Stevens. Keeping Students Dancing: Dance Injury Prevention in Practice
87. Amy Lynn Stoddart. Investigating the Presence of Autobiographical Elements in the Pas de Deux of George Balanchine's Agon
88. Juanita Regino Suarez. Entangled Borders: The Crazy Wisdom of Chicana Narratives
89. Virginia Taylor. The Historic Present: Ballet as a Utopian Myth in Popular Culture
90. Susan Tenneriello. Hanako and Rodin: The Presence of the Asian Model in Modernity
91. Helen Thomas. (Dance) Ethnography Strikes Back
92. Sharon L. Unrau. Motif Writing and Gang Activity: How to Get the Bad Boys to Dance
93. Ann Vachon. Inhabiting the Choreographic Process
94. Trevor Wade. The Expression of Hindu Feminism in the Choreography of Manjusri Chaki-Sircar
95. Tom Welsh. Promoting Transfer and Maintenance of Turnout Skills
96. Diane L. Wilder. Not Teaching Steps: Two Journeys in Dance Education in Australia, 1960–1975
97. Holly Williams. Two Millennia of Salome: The Bible's Dancer in the Twentieth Century
98. Conference Program

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