Judith Bennahum Tracing
René Blum’s Disconsolate Words
Ninotchka Devorah Bennahum
Drawing on the Body: Interpretations of Gypsy Flamenco from La Cuneca to Eva La
Yerbabuena
Tony Bennett Changing
emphasis in jumping and lower leg technique in ballet
Jessica Berson To Be
Real: Authority and Authenticity in Somatic Practices
Rachel Boggia
“Volcano Songs” and beyond: The Work of Meredith
Monk
Teresa J. Buckland Can you
walk a little bit faster? Aspects of Dancing the Quadrille in late Victorian
and Edwardian Society
Ramsey Burt
Hospitality and translation in Katherine Dunham’s L’Ag’Ya
C
Laurie Cameron (with
Jennifer Fisher) Is Denishawn Relevant? Strategies
for staging ”historical” dance
Alexandra Carter Webs of
Identity, Webs of Heritage: A Conceptual and Historical Examination of the
’The Birth of English Ballet’
Emilyn Claid (with
Deveril & Janet Lansdale) Decentering the Dancing
Text: an exploration of the interface between intertextuality and
hypertextuality
Roger F. Copeland The Best
Dance is when People Die in Movies
D
Anne Daye The
Irish Masque at Court: metamorphosis in the Jacobean
Masque
Thomas DeFrantz Queer
Beauty: Ulysses Dove and Concert Dance in the Africanist Grain /
Laura M. Dennis Reading ”Angelitos Negros”. The Woman as
Creator
Deveril (with Emilyn
Claid & Janet Lansdale) Decentering the Dancing Text: an exploration of the interface between
intertextuality and hypertextuality
Sherril Dodds Privileging the Popular in Dance Studies
Mo Dodson (with
Terry Monaghan) Fractured Legacy
F
Jennifer Fisher (with
Laurie Cameron) Is Denishawn Relevant? Strategies
for staging ”historical” dance
Norma Sue Fisher-Stitt Dancing
Along the Funding Tightrope: Project Grand Jete and Canada’s National
Ballet School
Anne Fiskevik Towards a
”Norwegian” Theatre Dance
Lynn Garafola Lincoln
Kirstein, Ballet Caravan, and the 1930s
Beth Genné A World of
her Own: Josephine Baker, George Balanchine and the Ziegfeld Follies of
1936
Moira Goff John
Thurmond Junior — John Weaver’s Successor?
Veta Goler A Beacon
for the People: Dianne McIntyre’s 1960s
Yvonne Hardt Relational
Movement Patterns: Movement Choirs and their Social Potential in the Weimar
Republic
Constance Valis Hill Trickster
Gods and Rapparrees: Retentions of Gaelic Irish and West African Satiric
Traditions in the Tap Challenge Dance
Petri Hoppu Dance
Weddings and Wedding Dances
Suzanne M. Jaeger The
Classical Ideal and ”The Labor of Glamour”
Stephen Johnson The
Tyranny of Documents and the Dance of Juba: An Assessment of Newly Acquired
Materials describing the Performance of William Henry Lane (fl. 1848-51)
/
Stephanie Jordan (with
Larraine Nicholas) Putting the Canon in its Place:
Tales From the Database ’Stravinsky the Global
Dancer’
L
Alessandra Lopez y Royo Dance and
the architecture of the Hindu temple: exploring form and
transformation
Alastair Macaulay Ashton and
the Second World War
Susan Manning Leftist
Dance, Black Dance
Carol G. Marsh The
Forlane – French Fantasy or Italian Import?
Christian Matjias Hearing
the Dance: The George Balanchine Critical Editions Vol I – Concerto
Barocco Revisited
Amira Mayroz Jooss’
;s
reckoning with God: The dialectics of Death in The Green
Table
Sarah McCleave Special
events: the role of dance in Handel’s London operas
Katherine Tucker McGinnis
Publish or Perish! Sixteenth-Century Dancing Masters in the Veneto /
Eric McKee Social
Dancing in Warsaw at the Opening of the 19th Century with Special Reference to
the Life and Dance Music of Fryderyk Chopin
Vesna Mlakar Richard
Strauss & Ballet. Outcomes of a Misunderstanding
Terry Monaghan (with Mo
Dodson) Fractured Legacy
Carol-Lynne Moore From
Körperkultur to www.massage.org:
A Breif History of the Somatics Movement
Geraldine Morris The
making of a National Style: The Emergence of an English Dancing Style in the
Early 20th Century
J’aime Morrison Geography
of a Dance: Yeats, Dance and (Inter)Nationalism
Larraine Nicholas (with
Stephanie Jordan): Putting the Canon in its Place: Tales From the Database
’Stravinsky the Global Dancer’
Sarah Nixon Gasyna Dance and
the Terror: A Semiological Account Of The Bals à
Victime
Ken Pierce Uncommon
Steps and Notation in the Sarabande de Mr. De Beauchamp
John O. Perpener III Black
Masculinities and Dance Theater in America
Stacey Prickett Jane
Dudley’s Memoirs: Intersecting Perspectives of an Embodied Past
Tresa Randall
Interculturalism and Authenticity in the Work of Uday Shankar
Janice Ross Leonid
Yakobson’s Choreography and Resistance: Ballet and the Siege of Leningrad
Tilden Russell On
Translating Taubert: A Preliminary Report
Paul Scolieri Dancing
Histories: Choreography and the Aztec Codicies
Barbar a Sparti Hercules
Dancing in Thebes, in Pictures and Music
Jody Sperling Dangerous
Allure, Safe Distance: Trapeze Disrobing Acts and Other Aerial
Stripteases
Carla Stalling Huntington
Ninette de Valois, Lydia Lopokova and John Maynard Keynes III; Economics and
ballet in London 1932-1942
Debra H. Sowell Exploring
the Contours of Romantic Ballet in Italy: The Work of Giovanni Casali and
Antonio Cortesi
Madison U. Sowell
Romantic-Era Almanacs and Dance History Research
Lester Tome Alicia
Alonso’s Giselle: As if It Were a Cuban Song.
Expressions of Cubaness in a European Classic
Linda J. Tomko
Constructing ”Turkish-ness”. Querying Agency in Anthony
L’Abbé’s Turkish Dance
June Vail Staging
”Sweden”: Folk Dance Performance /
Karen Vedel Narrating
Dance Modernism
Victoria Watts Hi
Everybody! A documentation and analysis
Donna White A Legacy
of German Traditions in Modern Dance at the University of Utah: Hanya Holm and
Alwin Nikolais